Friday, March 19, 2010

simple pleasures

we held the cine-forum tonight
in the open air
centre of chongon
a small crowd of 20 
and others watching from around the basketball court
or through the fence
we are starting to create a rhythm
a space 
where people come together
watch as a community
watch 
with a purpose
discuss
baby-steps 
but the potential is palpable




finding myself in deep moments of joy
a child laughing
a warm hug
a greeting from a stranger passing by
a smile
a twinkle of an eye

"Joy gives us wings! 
In times of joy our strength is more vital, our intellect keener, and our understanding less clouded. 
We seem better able to cope with the world and to find our sphere of usefulness."
Abdul-Baha, Paris Talks

Thursday, March 18, 2010

short

night and day
momentary power cuts
on and off
conversations stop
midsentence
fumble in the dark
where is my fork?
lights on
there it is

 
i never knew lizards chirped
it lasts only a few beats
a high pitched squeal
the friendly one greets me on my window mesh each day
or just before i lay my head on my pillow
a goodnight screech


in the middle of the night
they attack
mosquito season on my legs
red itchy itches
scratching up a storm
'oh my, look at your legs'  they exclaim
daily reminders

itch
scratch
gringa flesh


an iguana parks himself under an almond tree
prehistoric skin in downtown guayaquil
a man sitting under a tree with an iguana on his lap
feeding it the occassional banana chip from his small plastic bag
he eats one himself and gives it a pat
so casual
so relaxed
at the city center park where suits meet iguanas
with no blink of an eye


transactions through bars
not stepping one foot inside the corner store
we stare at each other through the steel between us
i cant quite make out the face
bars everywhere
doors
windows
obscuring the vision

Tuesday, March 16, 2010

fotos

taller de teatro

Just finised the first week of the theatre workshop with the youth of Chongon, and San Geronimo.
it was an incredible experience, and actually my first time holding a workshop like this, so there is a lot of learning that im processing as i write this.
we had around 25 regular participants in the workshop, most of which were 14years and older, we even had an older couple in their forties show up and take part towards the end of the week! The workshop was aimed for youth, the posters clearly stated 14 years and over, but of course the reality of this rural community and the location we used in the town center, children and junior youth show up as they do, and well, the first day I was a bit too relaxed about it and they joined in for most of the warm-up games, so when it came to the second day it was hard to say no kids...but it all ended up working out in the end, with the kids watching the activities or doing their own thing in seperate groups.
For basically every participant there, this was their first experience of theatre, they had never seen a play before but they were interested in drama. I was amazed at their hunger to learn, they enthusiasm and warm-heartedness. Most of the workshop (which was 3hours long each day) focused on confidence building games, games that were collaborative in nature, with no main ‘leader’ or ‘winner’ but rather the team has to co-operate as a unit in order to achieve the goal. We would then reflect after each game about what qualities we were developing, the relationship to drama, and most importantly how the game related to our own lives. For example, after playing an exercise called ‘Flocking’, where a small group changes leader and movement often, one participant in the reflection circle said, ‘This exercise represented to me the different stages of life. There are times when you have to follow others, like your parents and do as they say, and other times when you have to lead and make decisions for yourself, but you have to work together and stay united.’
The participants thrived on the daily improvement they witnessed in the games as it built their self-confidence and the dynamic of the group. The jump- rope sequence for example, requiring the group to run under the rope in pairs without missing a beat, was an activity the group struggled with on the first day, but after a discussion on what it means to have courage and believe in yourself, why it is important and how it applies to our lives, the group suddenly stepped up and ran through the rope one after the other in time, bringing a tremendous sense of joy and confirmation to the participants. One participant responded, ‘This game showed me that first you have to believe you can do it, then everything is possible.’

There was also specific times were the group would devise and perform their own performances based on social issues they are facing. This was strengthen by a good deal of time reflecting in small groups on the following questions,

* ‘What would you want the world to know about your community?’
Their responses include:
‘We’d like them to know the values that we practise – like friendship, respect, solidarity.’

Another group commented, ‘We’d like them to know that we are collaborators and are kind. People from Chongon are hard-workers and have talents too.’

* ‘What would you want to change about your community?’
One group answered, ‘We want to change the macho-ism that exists in our community. There are too many gangs, and fights that lead to nothing.

* and the final question ‘What themes or issues would you want to be included in a video or play about your community?’

‘There is a part of the community that is dedicated to consuming drugs and alcohol. We want to make a drama that shows the effects of their actions on the community.’

All of the groups brought up again and again that drugs, alcohol and gang related violence were the key issues they wanted to express in a play or video based on their community. After this reflection, in the same groups, they created short plays on the above issues. The reflection time allowed them to go deeper into the stories at the heart of the issues, and the improvement in their performance style was apparent compared to the other days.

We ended the workshop with a performance of these scenes, and then a cine-forum showing the lastest videos produced by the Media Project, which was received warmly by the participants. By the end of the workshop the group dynamic was so strong and unified that most did not want to leave and asked when the workshop would happen again. The second phase of the workshop was explained to them, which focuses on working with specific actors and rehearsing for the next series of videos.

By the end of the workshop our goals were achieved, as we now have a sizeable group of actors from the Chongon area who are ready to work with us on the next series of videos. It's going to be great to have people from the community as actors, rather than those from Guayaquil, which we had been using previously. I think its really going to help bring more people to the cine-forums and hopefully allow the forum portion at the end of the screening to be deeper and more reflective with the audience...
Areas to work on...perhaps more reflection time after each game, I tended to do too many games for the time frame we had. I’m also learning about my speed of communicating and its relationship to this culture, or the fact that the youth are totally new to theatre and have no reference point, so often i would find myself speeding ahead, asking them questions they had no connection to, and both the translators and the participants could not follow...even basic games that I use as warm-ups, a lot of hand and ball co-ordination games, are totally foreign here, all the games are using your legs not your hands, and the girls generally dont take part it them, so that was an interesting area for me and to build up the girls confidence. I'm learning how to work slowly and more deeply, and thinking of concrete examples from their world to reiterate a point...that’s one of the new findings for me...more to come...

Sunday, March 7, 2010

El Ayuno

35degrees. No AC apart from in the car or at the mall. Humidity thats at a level beyond my comprehension...

It´s Day 7 of the Bahaí 19-day Fast, in one of the hottest countries, in their hottest month.

If you are asking yourself what exactly is the Baha'i fast, hopefully these writings will give you some insight...

´The fasting period, which lasts nineteen days starting as a rule from the second of March every year and ending on the twentieth of the same month, involves complete abstention from food and drink from sunrise till sunset. It is essentially a period of meditation and prayer, of spiritual recuperation, during which the believer must strive to make the necessary readjustments in his inner life, and to refresh and reinvigorate the spiritual forces latent in his soul. Its significance and purpose are, therefore, fundamentally spiritual in character. Fasting is symbolic, and a reminder of abstinence from selfish and carnal desires. ´Shoghi Effendi


´...for this physical fast is a symbol of the spiritual fast. This Fast leadeth to the cleansing of the soul from all selfish desires, the acquisition of spiritual attributes...´

´..Besides all this, prayer and fasting [are] the cause of awakening and mindfulness..´ Abdul-Baha

`...fasting is the supreme remedy and the most great healing for the disease of self and passion.´ Baha´u´llah

´Blessed is the one who through the heat generated by the Fast increaseth his love, and who, with joy and radiance, ariseth to perform worthy deeds.´ (Baha’u’llah, Importance of Obligatory Prayer and Fasting, UHJ, May 2000)

I know the heat Baha´u´llah talks about in the last quote is spiritual, but certainly here in Chongon the physical environment serves as a daily reminder!! Locals tell me `If you can survive this month, then you can live in Ecuador'. So far so good.

Tomorrow I begin a 10day workshop with the youth of Chongon, focusing on building theatre skills with them and finding interested people to act in our next series of films. I´m excited, but nervous at the same time. It´s the first time the project has specifically worked with youth, before it was junior youth (below 14years of age)and their parents and their response was huge. So we shall see...

We have been having a lot of consulations recently as a team on the process. And one big question that keeps coming up is to do with solution based work. We dont want to come across preachy or forceful in anyway. We have the Bahaí Writings as a base so how do we encorporate the writings in our productions in a way that is an offering, that makes the audience reflect, and question...
What makes us different to another religious group doing the same thing? How are we different to say, a group of Mormon´s doing a similiar project, that is about community development, development of spiritual qualities etc? One major point of difference is that the purpose of the Media Project is not ´conversion´ of any sort, or to teach the Bahaí Faith through it. It´s more about addressing the social issues in the community through film and theatre, but using the Bahaí guidance specifically to those issues.
I have issues with solution-based drama i´ve seen in the past with different groups in New Zealand and around the world. It doesnt challenge the audience enough, it´s so black and white, the audience is treated like dummies. And generally people know that taking drugs etc is not good for them, so how do we create something that is complex, thought-provoking, engages the audience, and provides a space for the Bahaí perspective to come through? How do we go deeper into the issues, so the scripts dont skim the surface? How deep into the negative forces at work in society do we go, especially when these videos are aimed for 11,12, 13 year olds and their families? We cant have light without darkness. But its finding the balance...
so much of the films we see today focus on the darker side of society and leave the audience with a sense of hopelessness..How do we resolve the conflict, does having a feel good 'disney' type ending push the audience away or make them step closer into the world we created? Some audience members shared that they had never seen a family as unified and cohesive as the families we were potraying in the videos, and it moved them to tears after watching it. Often the family situation here is far from that, well in most of the world now. So showing a positive influence can also have big effects, even if it may feel cheesy, or is it possible to have a solution-type ending that is not disney like? Is it possible?
We are aiming to create a new culture through this work...little by little...